Liverpool Biennial artists respond to the living port city

Works sit in warehouses, ferries and streets that still move goods.

Owen Hale
Dock warehouse light shafts
Editorial illustration · Book Leaves

This year’s Liverpool Biennial leans into the city’s working waterfront, placing installations where logistics and leisure already collide.

The strongest pieces refuse postcard nostalgia and talk instead about labour, migration and weather.

Cookies on Book Leaves

We use necessary cookies to run the site. Analytics and advertising cookies — including ads and content recommendations from partners such as Taboola — load only if you allow them. Read the cookie policy.